Play Along Piano

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SDG

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

Thine Is the Glory, Händel, a Toi la gloire o ressuscité, U zij de glorie opgestane Heer, Judas Maccabeus.

SDG

0:57	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	6	100%
T B		13	0	3	6	100%
Bass		11	0	2	5	63%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	2	6	100%
T B		13	0	3	6	100%
Bass		11	0	2	5	63%

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
Pedal		12	0	2	5	100%
S A		8	0	1	3	67%
T B		14	0	2	3	67%

Abba, Vader, U alleen, U behoor ik toe. Abba Father, I belong to You alone. Abba Father let me be yours and yours alone...

SDG

1:30	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		9	0	2	3	50%
		10	0	3	3	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		9	0	2	3	50%
		10	0	3	3	100%
Soprano/Alto		12	0	1	3	100%
Tenor/Bass		16	0	4	3	100%
Violin		9	0	0	3	100%
Contrabass		9	0	2	3	50%
Viola		7	0	1	3	50%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

Precious Lord take my hand

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Violoncello		9	0	1	4	100%
Contrabass		10	0	2	3	50%
Bass		12	0	2	3	45%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		15	0	2	5	50%

Ere zij God. Maybe the most famous Dutch Christmas song.

SDG

2:08	Est. Play Time
43	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	8	100%
Tenor/Bass		17	0	3	8	100%
Contrabass		12	0	2	7	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	2	8	100%
Tenor/Bass		17	0	3	8	100%
Contrabass		12	0	2	7	50%

Through the love of God our Saviour, AR HYD Y NOS, Welsh melody.

SDG

0:49	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	1	5	100%
T B		12	0	1	5	100%
Bass		8	0	2	3	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		12	0	1	5	100%
T B		12	0	1	5	100%
Bass		8	0	2	3	67%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		19	1	4	6	100%
		19	1	4	6	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		19	1	4	6	100%
Contrabass		15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
		18	0	3	2	100%
		18	0	3	2	100%
Soprano/Alto		13	0	2	2	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		11	0	2	2	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		15	0	3	5	100%
		15	0	3	5	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	5	100%
Contrabass		11	0	2	3	50%

259. Nun danket alle Gott. Now thank we all our God. BWV 79/3.

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		18	0	5	2	100%
Horn in F		16	0	5	7	100%
Violoncello		18	0	5	2	100%
Timpani		2	0	0	4	76%
Soprano/Alto		9	0	2	3	63%
Tenor/Bass		17	0	2	4	63%
Flute		7	0	1	3	55%
		7	0	1	3	55%
Oboe		7	0	1	3	55%
		7	0	1	3	55%
Violin		6	0	1	2	35%
		7	0	1	3	55%
Soprano		7	0	1	3	55%
Viola		7	0	1	4	55%

10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.

SDG

0:37	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	5	100%
		12	0	2	5	100%
		21	0	5	5	100%
		21	0	5	5	100%
Soprano/Alto		12	0	2	5	100%
Tenor/Bass		21	0	5	5	100%
Contrabass		15	0	2	3	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		20	0	3	3	100%
		20	0	3	3	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		20	0	3	3	100%
Contrabass		15	0	2	3	54%

31. Aus tiefer Noth schrei ich zu dir, BWV 38 #6, Chorale, Martin Luther.

SDG

1:00	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		21	0	4	3	100%
		21	0	4	3	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		21	0	4	3	100%
Contrabass		15	0	2	3	53%

46. Christus der ist mein Leben, Melchior Vulpius, J.S. Bach, BWV 281.

SDG

0:26	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	0	6	100%
		10	0	0	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	0	6	100%
		10	0	0	6	100%
		18	0	3	6	100%
		18	0	3	6	100%
Soprano/Alto		10	0	0	6	100%
Tenor/Bass		18	0	3	6	100%
Contrabass		12	0	2	4	50%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		15	0	3	5	100%
Tenor/Bass		18	0	5	5	100%
Contrabass		13	0	2	5	50%
Bass		3	0	0	2	6%

Lord of heaven, Lord I praise You. Arrangement: Gertim (SDG)

SDG

0:33	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	5	100%
Tenor/Bass		14	0	2	6	100%
Contrabass		9	0	2	6	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		12	0	1	5	100%
Tenor/Bass		14	0	2	6	100%
Contrabass		9	0	2	6	50%

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